Upcoming artists-in-residence: Pablo Browne - Judith Martinez and Craig Billingham

Pablo Browne - Judith Martinez and Craig Billingham, The Empty Jar, page 2, 2014, children's book

Pablo Browne is a creative partnership between Judith Martinez (illustrator) and Craig Billingham (writer). Together they created The Empty Jar, a children’s picture book launched at The Melbourne Writers’ Festival last year. They live in the Blue Mountains, NSW. 

Pablo Browne - Judith Martinez and Craig Billingham, The Empty Jar, page 1, 2014, children's book


Craig Billingham is a poet and fiction writer. His work has appeared in many Australian journals, including Meanjin, Heat, Review of Australian Fiction, and Antipodes, as well as having been twice selected for The Best Australian Poems. A slim collection, Storytelling, was published in 2007. Craig has a Masters in Creative Writing from The University of Sydney.

Pablo Browne - Judith Martinez and Craig Billingham, The Empty Jar, page 3, 2014, children's book

"My poems and stories typically involve some form of misunderstanding, and the confusion that ensues. These misunderstandings could be of emotions, or actions, or identities, etc. Very often they arise from misheard statements, or from words taken to mean something other than what their speaker had intended. Working with this confusion – chasing the next word, or the next image – propels the story, and not always towards a resolution." Craig Billingham
Follow these links to read some of Craig's fiction and poems, or listen to him reading… 

Pablo Browne - Judith Martinez and Craig Billingham, The Empty Jar, page 4, 2014, children's book

Judith Martinez is a artist, illustrator and graphic designer. She studied at the College of Fine Arts, UNSW, and has completed various printmaking courses at the National Art School. She has worked on the creative for major festivals and events in Sydney, designed book covers, historical interpretation graphics for The Rocks, and worked on numerous publications. Judith's work has recently featured at The Blue Mountains Cultural Centre exhibitions Keepsake and The Black and Blue Project, as well as Seven Illustrators at The Everglades, Leura. The Empty Jar is her first picture book.

Judith Martinez, Illustrations from The Empty Jar, 2014


"My work is made up of carefully salvaged objects, textures and images – which allow me the privilege of creating new narratives. This is a technique I use in both my fine art and illustration work – through collage, photomedia and drawings. The use of layers in my work creates visual maps for the viewer to navigate – inviting them to return and decipher the stories within the works." Judith Martinez
You can see more of Judith's work in Katoomba and on her websites hopestreetpress.com.au and judithmartinez.com.au

Judith Martinez, We must give them shapes and names, 2013/14,
digital photo montage with scanned and manipulated found photographs


During their Gunyah residency Judith and Craig plan to develop their second book for children - The Alphabet Thieves, aimed at children 5 to 9 years old. This picture book seeks to entertain and to contribute to the development of children’s literacy skills. The artwork for The Alphabet Thieves will be hand drawn illustration, digital collage and mixed media. A draft of the story has been completed, but their previous experience on The Empty Jar suggests that the storyline will grow as writer and illustrator work more closely together. This is a time consuming process that requires a period of focused concentration – the Gunyah residency will be an ideal opportunity to progress the project.


Craig and Judith, with their book - The Empty Jar 
Blue Mountains Gazette 11 Nov 2014


Rhonda Pryor: artist-in-residence May 2015

Rhonda Pryor, Washing after dyeing, Gunyah jetty, 2015


A wonderful, if too short, residency that was a real delight. Pluto the dog was very impressed too, what with all those intriguing bush smells to check out. The family came to visit for the weekend and we took off to the sand dunes (which had moved so much closer to the road than we remembered – no doubt due to the recent storms), had morning tea at Tillerman’s in Tea Gardens, and lazed around the Gunyah living room, enjoying the fireside, world map jigsaw puzzle, art magazines and the views. We had a great time checking out the jetty (Pluto does love a swim), discovering charming little beaches, and walking around exploring – and baking bread.

Rhonda Pryor, Pluto and the collection, Gunyah studio 2015

Rhonda Pryor, Bundle dyeing process, Gunyah studio 2015


I used the time to play around with the local flora (luckily readily available because of those storms) making dyes for the silk lengths I brought with me. Pluto and I went on daily walks collecting interesting bits and pieces to include in the process. We washed the cloth down by the jetty before and after the dyeing – a serene and meditative process at Gunyah (it is so quiet). The lovely golden colour of the water no doubt contributed to the final results. Photographing the fabrics in the water was fascinating for me – I couldn’t get enough of it. The colour of the water, the rocks beneath, the swirling cloth, beautiful light.... I also used up some of the waste threads and string to make experimental ‘lace’ samples.

Rhonda Pryor, Evaluating…, Gunyah studio 2015

Rhonda Pryor, Lace experiments, Gunyah studio 2015

A big thank you to Kath and the Gunyah team! What a peaceful and laid back thinking/working environment! And the house is sooooo charming…
Rhonda Pryor

Rhonda Pryor, Beautiful sunset, Gunyah 2015

Marynes Avila: upcoming artist-in-residence

Marynes Avila, Synapses, 2014, approximately 300,000 Pine Needles, 
installed at Billilla Historic House Residency, Brighton VIC

Marynes Avila is a Melbourne artist who works with multiples as data connectors, investigating the uniqueness of each unit and its interrelationship with the group. Involving overwhelming quantities of a single familiar object, Marynes explores the resonance of multiples by utilizing them as tools of public intervention. From human cells to mass production, she investigates the public narratives of multiples as a reflection of the personal and the universal, the profound and the abject, chaos and order. Marynes works with the neglected and the potential of things - to redefine the object, its purpose and symbolism - by creating labor intense site-specific installations, sculpture, meticulous drawing, digital photography and film. Her practice is informed by science, particularly Neuroscience, and Carl Jung's concept of the Collective Unconscious and Depth Psychology. Recently, Marynes' research into the complexities of multiplicity has extended to create an analogy between human cells, the plasticity of the human brain and the reproduction of neurons and plants' anatomy at cellular and external levels.

Marynes Avila, Alcea Rosea Malvaceae Hollyhock Sepal, 2015, digital micro-photograph

Marynes has a Masters of Arts – Art in Public Space, from RMIT University, and has won several art awards such as the John Tallis Art Prize, the Toorak Sculpture Prize and the Moreland Sculpture Ephemeral Art Prize. Her practice and research has included field trips to Shanghai and the Xian Province in China; Tokyo, Kyoto and Hiroshima in Japan; the Buenos Aires, Neuquen and Rio Negro Provinces in Argentina; and Vancouver, Canada. Her work is included in public, private and corporate collections in Australia and overseas.

Marynes Avila, Shelter, 2013, approximately 300 Fallen sticks, 
installed at Laughing Waters Residency, Eltham VIC

"At the Gunyah Residency I plan to continue my research in multiplicity, focusing on the analogy between plants' anatomy at cellular and external levels, and explore the natural environment through digital photo micrography, pen and ink observational drawings of the native flora, and create a site specific ephemeral installation."

Marynes Avila with her work Emergent II, 2011

To see more of Marynes Avila's work please go to her website www.marynesavila.com

Rhonda Pryor: upcoming artist-in-residence


Rhonda Pryor, Dispersed Accounts, 2014, copper mesh, deconstructed military uniforms, 
reclaimed woollen jumper, thread, approx. 120 x 200 cm

Rhonda Pryor is an artist based in Sydney, working with reclaimed materials, textiles, installation and photography to explore themes of memory and narrative. With a background in fashion design and production, Rhonda went on to study drawing and painting at the Julian Ashton Art School and UNSW College of Fine Arts, where she completed a Master of Fine Arts in 2012. Rhonda is particularly interested in the natural and inevitable deterioration of material and recollection, combined with the ability of handwritten text to convey emotion and character, as a way of reflecting on the role of memory in our contemporary world. 

Rhonda Pryor

Her most recent solo exhibition, Lines of Communication, was a body of work researched at the State Library of NSW and the Australian War Memorial, combining photographic imagery of original handwritten documents and vintage textiles, in an examination of emotion and written communication between servicemen and their loved ones from WW1 through to the Afghanistan conflict. Rhonda has also been a finalist in the 2013 North Sydney Art Prize, Willoughby Sculpture Prize, and Hidden Sculpture Walk, and was winner of the 2014 International Women’s Day Art Prize.

Rhonda Pryor, News,  2014, Archival pigment print on cotton rag,
silk & mohair yarn, hand stitching, 75 x 49 cm

"While at Gunyah, I intend to draw on the tranquil, contemplative aspects of the surroundings focusing on ‘being in nature’ and its meditative triggers. As my work has always had an undercurrent of place, belonging and attachment, I’d like to extend this concept to include the natural environment. Place has an important impact on our lives, I find it absorbing to discover links between people and places, and seek, and ultimately express, meaning within those relationships."

Rhonda Pryor, Testimonies, 2014, installation view at Lines of Communication exhibition,
Incinerator Art Space Willoughby, archival pigment print on polyester georgette, thread

Please visit Rhonda's website to see more of her work - www.rhondapryor.com


BONUS CARD: artists-in-residence March 2015


BONUS CARD, Model sculptures - work in progress, 2015 Gunyah
We arrived at Gunyah full of excitement for our two-week residency. Driving into North Arm Cove we were taken by the natural beauty of the area. It is truly spectacular and reveals itself to you slowly over the course of time. During our stay we discovered wonderful bushland and fantastic swimming spots all within walking distance. Kookaburras laughed at us as we joked on the balcony while cooking our BBQ dinners. And the house itself is like a wooden spaceship floating in the trees above the sea. We couldn’t have been more comfortable.

BONUS CARD, Gunyah yoga - Lucy and Vivian2015

The studio space was our main focus and the engine room for a very productive time. While our 11 month old, Vivian, played at our feet we made more than 60 model sculptures. With windows allowing a flood of natural light into the space we spent many happy hours talking, scheming and importantly, making art. We would take breaks from the studio to walk down the backyard to the pier and feel the sea breeze blowing across the blue water. Really quite magical family time.


BONUS CARD, Model sculptures - work in progress, 2015 Gunyah

On small daily adventures we walk around the area, enjoying majestic gums, bird song and a thriving ecosystem. Venturing further afield we visited wonderful inland towns, took in Newcastle and on a small trip through the Myall Lakes National Park we discovered rainforest, she-oak forest and a plethora of different ecological environments within arm’s reach of each other.

BONUS CARD, Vivian and the stairs, 2015 Gunyah

Our regular morning trip in search of coffee took us to Hawk’s Nest to a great cafe not far from Jimmy’s Beach, which is an amazing place to swim. Gunyah had art magazines for intellectual inspiration and a complete sense of comfort for allowing the creative juices to flow. Importantly, it feels like a home. A place to be at ease and to feel the confidence to be yourself and tap into your inner creative drive without distraction or concern.

BONUS CARD, At the beach, 2015
We left Gunyah with renewed energy, a dozen wonderful family memories we’ll treasure for ever, and a completely mapped out plan of attack for getting our exhibition together in time for its launch in September in Bendigo at the La Trobe University Visual Arts Centre. We couldn’t recommend this more for artists looking for quiet creative time. Thanks Gunyah!

BONUS CARD, Bush walk North Arm Cove, 2015

BONUS CARD is the collaborative partnership of husband and wife artists Kent Wilson and Lucy James. Bonus CARD will be exhibiting work from their Gunyah residency in September 2015 at the La Trobe University Visual Arts Centre in Bendigo.