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| Lou Smith with her book 'riversalt', Photo Newcastle Herald |
Upcoming artist-in-residence: Lou Smith
Residency report: Gathered Collective
| Gathered Collective work-in-progress at Gunyah |
Gathered’s time at Gunyah was immensely restorative, healing and inspiring. It was particularly special conversing with the locals over coffee and cake at the North Arm Cove community centre. Everyone was proud to share the histories of the area and introduce us to their impressive community garden that surrounded the hall. It was so special to have the time and space to decompress from the fast pace of everyday life. We all enjoyed spreading out in the various ‘making’ areas of the home; particularly the jetty where we were lucky enough to spot dolphins on multiple occasions. During our stay, we also visited various sites close to North Arm Cove, including Mungo Brush and Seal Rocks. Whilst making, it was valuable to work alongside one another to bounce off ideas and feed off one another’s creativity.
| Gathered Collective work-in-progress at Gunyah |
The long periods of rain before our arrival provided an abundance of mushrooms at Gunyah. Charli was especially grateful for this mass presence of fungal kin, spending a large chunk of her time observing and
foraging mushrooms around North Arm Cove and Mungo Brush area. Charli formed mushroom atlases each day, categorising her harvests by place, body, colour and texture. This allowed her to make fungus papers with varying tones and formations, experimenting with new techniques and materials to capture relations between her moving body, other bodies and mycelium expanding underfoot. She created a large-scale hand-sewn patchwork with papers made from mushrooms foraged among different landscapes. When exposed to light, the piece reveals an intricate fungal network unfurling across each page, connecting the rhythms and cycles of place into a new material assemblage. Charli evolved her previous work with the beetroot anthotype process by creating on a larger format, experimenting with beeswax as a natural method of preservation. She also speculated new ideas by hand-sewing written pieces onto second-hand fabrics.
| Gathered Collective work-in-progress at Gunyah |
| Gathered Collective work-in-progress at Gunyah |
Anna engaged walking as a method of researching the ecologies which inhabit the surrounds of Gunyah. While embarking on a walk, she focused particularly on noticing intersected paths between human and non-human beings. Perceiving a footprint as a trace of an ecology’s presence, she wandered through areas of North Arm Cove and Mungo Brush to locate sites of crossing, specifically where diverse tracks met one another. These traversing marks etched into the ground, signify points of interconnectivity and plurality among differing organic existences. She imagined this place of meeting, as a method for dissolving the individual and awakening a site in which multiple beings become one multiplicate whole. These crisscrossing paths were documented through stitching onto repurposed fabrics. Fabrics with organic fibres were sourced from various second-hand stores and dyed with ethically foraged seaweed and found rusted objects. Comprising of plant-based material and thread, the work over time will return itself to the natural world, biodegrading and feeding a new emergence-interchange of organic life. The textile aimed to appear as though it exists-with the environment, the structure of the piece camouflaging with organic elements. As though to move, think and be-with the earth, rather than impose itself upon a place.
Upcoming artists-in-residence: The Darkroom Social
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| The Darkroom Social: Isobel Markus-Dunworth & Remi Siciliano |
The Darkroom Social is a newly founded project by Isobel Markus-Dunworth and Remi Siciliano, based on Gadigal Land. The Darkroom Social aims to create a community of alternative photographic practitioners with an interest in material experimentation, collaboration and environmentally conscious practice. After teaching analogue photography for over a decade at the University of Sydney, Isobel’s current research investigates how historical photographic processes can be delivered with a reframing of sustainability and environmental ethics. Remi’s practice investigates how the material and receptive nature of analogue photography can lend itself to collaborative experiments and encounters with other organisms and landscape processes.
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Isobel Markus-Dunworth, 2023, 35mm film developer comparison of vitamin c, seaweed, turkey rhubarb and rosemary |
" ... During our residency we will collect surplus natural material from around the site (seaweed, fallen bark, invasive weed species, etc) to make into extracts which will form the base of alternative photographic developers to process analogue silver gelatin film and paper. This eco-praxis approach to image-making foregrounds minimising the environmental impact of traditional, extractive and toxic analogue photographic processes. The site-specific photographic developers we make will be used to process images of the landscape, where in an open-ended collaboration the site becomes chemically active in its own photographic rendering ... "
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Remi Siciliano, Manly Vale Creek, 2024, scanned 35mm film processed in Morning Glory weed (Ipomoea purpurea) from the site |
Upcoming artists-in-residence: Gathered Collective
During our residency at Gunyah, we will engage in walking and foraging practices in North Arm Cove and extending into surrounding Worimi Country. These interactions will be documented and translated into various works in textile, movement, pine-hole photography, writing and paper-making.
Anna intends to work with organic textile-based materials to demonstrate the interconnectivity of ecologies. She aims to engage with materials which decompose over time and are diagrammatic in form.
Charli plans to think through mycelium - as a relational process - to unearth the web of connections that bind the beings, cycles, rhythms, lands of the surrounding site. Guided by mushroom foraging and observation, documentation will take form in movement, writing, paper-making and photography.
@charligerry
www.charlirosegerry.com.au
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Charli Rose Gerry, 'Entangling with Relational Ecologies', 2023, various foraged mushrooms, recycled artworks, velum paper, thread, waterbased-ink |
@claireepaul
www.clairepaul.com.au
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Claire Paul, 'Soft Breeze', 2023, charcoal and ash screen-printed onto handmade paper (recycled artworks and foraged plant matter) |
2024 Gunyah Artists Announcement
There was a record number of quality applications this year, thank you to all the artists who applied. And thanks also to our selection panel: Vanessa Berry, previous Gunyah artist-in-residence; and Kath Fries, Gunyah AIR director.
Congratulations to the selected artists!
Karlina Mitchell and Lee Mitchell
Claire Paul, Anna Seymour and Charli Rose Gerry
Follow @gunyahartists on Instagram to see posts from their residencies during the year.
Image credits from top:
Kath Fries, Sunrise view from Gunyah deck, 2023
Kath Fries, The old Gunyah house sign, 2020
Gunyah artists-in-residence program is located on Gathang Country, the ancestral lands of the Worimi people. We acknowledge them as the traditional custodians for this place, land, sky, and waters. When artists come to the Gunyah to develop and share their own creativity, learning, skills and cultural practices, we respect the knowledge embedded forever within the First Nations Custodianship of Country.
2024 Gunyah residency applications now open!
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| 2024 Call Out Gunyah AiR applications! Background photo: Blake Lawrence, Gunyah residency 2022 |
Since 2011, the Gunyah AiR program has been providing low cost accommodation for short term self-directed residencies for solo, collaborative, family and group projects.
In 2024, each residency will run for ten days. There will be one per month from May to October.
Please read ABOUT GUNYAH before applying and see the APPLY page for more info about applying.
Residency report: Catriona Pollard
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| Catriona Pollard, Gunyah residency October 2023 |
I went to Gunyah looking for a creative space to start developing ideas for my next body of work. As soon as I walked into the house I felt the joy and creativity of that space.
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| Catriona Pollard, Gunyah residency October 2023 |
I hadn't planned on weaving anything as I was recovering from a sprained wrist, so I took paints and ink to just play. It was an ideal place for me as my art practice embraces the concept that nature is a part of us with meaning and spirit. And nature is essentially all there is at Gunyah.
















