Upcoming artist-in-residence: Lou Smith

Lou Smith with her book 'riversalt', Photo Newcastle Herald 


Lou Smith is a Naarm based poet, writer and researcher of Welsh, Jamaican and English heritage, who lives on Wurundjeri Woi-Wurrung Country. She
 grew up in Muloobinba, Newcastle, on the land and waterways of the Awabakal and Worimi peoples. 
Lou's writing explores notions of place, un/belonging, cultural memory, and cultural and familial identity. She is the author of the poetry collection riversalt (Flying Island Books). Lou’s writing has appeared in journals and anthologies including Rabbit, Australian Poetry Anthology, Liberation Begins in the Imagination: Writings on Caribbean-British Art, Bluebottle, Wasafiri, Masacara Literary Review, Soft Surface, The Caribbean Writer and sx Salon. Lou also co-runs Writing Days, a Creative Writing Society based in Coburg.

Writing days - Coburg Creative Writing Society
writingdays.com.au @dayswriting


" ... During my residency at Gunyah, I plan to work towards completing my poetry collection Texas. These poems are set during the Great Depression, in a shantytown dubbed ‘Texas’ within the suburb of Carrington on Muloobinba Country (Newcastle NSW), a tidal area somewhat similar to North Arm Cove. I grew up in Newcastle, and my dad used to tell me stories about the shantytowns ... "

www.lousmith.net

Residency report: Gathered Collective

Gathered Collective work-in-progress at Gunyah

Gathered’s time at Gunyah was immensely restorative, healing and inspiring. It was particularly special conversing with the locals over coffee and cake at the North Arm Cove community centre. Everyone was proud to share the histories of the area and introduce us to their impressive community garden that surrounded the hall. It was so special to have the time and space to decompress from the fast pace of everyday life. We all enjoyed spreading out in the various ‘making’ areas of the home; particularly the jetty where we were lucky enough to spot dolphins on multiple occasions. During our stay, we also visited various sites close to North Arm Cove, including Mungo Brush and Seal Rocks. Whilst making, it was valuable to work alongside one another to bounce off ideas and feed off one another’s creativity. 

Gathered Collective work-in-progress at Gunyah


The long periods of rain before our arrival provided an abundance of mushrooms at Gunyah. Charli was especially grateful for this mass presence of fungal kin, spending a large chunk of her time observing and
foraging mushrooms around North Arm Cove and Mungo Brush area. Charli formed mushroom atlases each day, categorising her harvests by place, body, colour and texture. This allowed her to make fungus papers with varying tones and formations, experimenting with new techniques and materials to capture relations between her moving body, other bodies and mycelium expanding underfoot. She created a large-scale hand-sewn patchwork with papers made from mushrooms foraged among different landscapes. When exposed to light, the piece reveals an intricate fungal network unfurling across each page, connecting the rhythms and cycles of place into a new material assemblage. Charli evolved her previous work with the beetroot anthotype process by creating on a larger format, experimenting with beeswax as a natural method of preservation. She also speculated new ideas by hand-sewing written pieces onto second-hand fabrics.

Gathered Collective work-in-progress at Gunyah

Claire was particularly interested in creating handmade papers from recycled artworks and foraged plant matter from site. She used rain and lake water as the basis of this making, and was also able to explore the potentials of natural dyes to tint the paper with turmeric and beetroot juice. She also experimented with different caffenol recipes for her pinhole photographs which she took around the bank of the lake. It was valuable to have a studio she could set up for this research, and during her time at the residency she successfully refined the caffenol recipe for both film and direct positive paper.

Gathered Collective work-in-progress at Gunyah


Anna engaged walking as a method of researching the ecologies which inhabit the surrounds of Gunyah. While embarking on a walk, she focused particularly on noticing intersected paths between human and non-human beings. Perceiving a footprint as a trace of an ecology’s presence, she wandered through areas of North Arm Cove and Mungo Brush to locate sites of crossing, specifically where diverse tracks met one another. These traversing marks etched into the ground, signify points of interconnectivity and plurality among differing organic existences. She imagined this place of meeting, as a method for dissolving the individual and awakening a site in which multiple beings become one multiplicate whole. These crisscrossing paths were documented through stitching onto repurposed fabrics. Fabrics with organic fibres were sourced from various second-hand stores and dyed with ethically foraged seaweed and found rusted objects. Comprising of plant-based material and thread, the work over time will return itself to the natural world, biodegrading and feeding a new emergence-interchange of organic life. The textile aimed to appear as though it exists-with the environment, the structure of the piece camouflaging with organic elements. As though to move, think and be-with the earth, rather than impose itself upon a place.

Gathered Collective work-in-progress at Gunyah



Gunyah residency report, May 2024
Gathered Collective
Claire Paul, Charli Gerry and Anna Seymour




Upcoming artists-in-residence: The Darkroom Social

The Darkroom Social:
Isobel Markus-Dunworth & Remi Siciliano


The Darkroom Social is a newly founded project by Isobel Markus-Dunworth and Remi Siciliano, based on Gadigal Land. The Darkroom Social aims to create a community of alternative photographic practitioners with an interest in material experimentation, collaboration and environmentally conscious practice. After teaching analogue photography for over a decade at the University of Sydney, Isobel’s current research investigates how historical photographic processes can be delivered with a reframing of sustainability and environmental ethics. Remi’s practice investigates how the material and receptive nature of analogue photography can lend itself to collaborative experiments and encounters with other organisms and landscape processes.

Isobel Markus-Dunworth, 2023, 35mm film developer

comparison of vitamin c, seaweed, turkey rhubarb and

rosemary




" ... During our residency we will collect surplus natural material from around the site (seaweed, fallen bark, invasive weed species, etc) to make into extracts which will form the base of alternative photographic developers to process analogue silver gelatin film and paper. This eco-praxis approach to image-making foregrounds minimising the environmental impact of traditional, extractive and toxic analogue photographic processes. The site-specific photographic developers we make will be used to process images of the landscape, where in an open-ended collaboration the site becomes chemically active in its own photographic rendering ... "

Remi Siciliano, Manly Vale Creek, 2024, scanned 35mm film

processed in Morning Glory weed (Ipomoea purpurea) from

the site


Follow The Darkroom Social on Instagram @thedarkroom.social

Upcoming artists-in-residence: Gathered Collective

Gathered Collective: Charli Gerry, Claire Paul, Anna Seymour

Gathered is a collective of three emerging women artists’ Claire Paul, Charli Gerry and Anna Seymour, who live and work on Gadigal and Darkinjung Country. Together they explore ways of relating to the natural world that embody a slowness and presence in the now. Such forms of existence seem critical during a time defined by hyperactivity and extraction from the Earth. They engage in walking and foraging practices to embrace a deep observation of ecologies; documenting encounters with plants, fungi & landscapes through written, paper-based & textile works. The end results are ever changing and constantly evolving, as are the organic materials which comprise our artworks. Collectively their Gathered creative practices seek to embrace a deeper understanding of the natural world and gather with non-human beings. 

During our residency at Gunyah, we will engage in walking and foraging practices in North Arm Cove and extending into surrounding Worimi Country. These interactions will be documented and translated into various works in textile, movement, pine-hole photography, writing and paper-making.

Anna intends to work with organic textile-based materials to demonstrate the interconnectivity of ecologies. She aims to engage with materials which decompose over time and are diagrammatic in form. 
@cesca__studio 

Anna Seymour, 'Kindred', 2022, mushroom compost, new and reused

hessian and jute thread


Charli plans to think through mycelium - as a relational process - to unearth the web of connections that bind the beings, cycles, rhythms, lands of the surrounding site. Guided by mushroom foraging and observation, documentation will take form in movement, writing, paper-making and photography.
@charligerry
www.charlirosegerry.com.au

Charli Rose Gerry, 'Entangling with Relational Ecologies', 2023, 

various foraged mushrooms, recycled artworks, velum paper, thread, waterbased-ink


Claire will explore applications of pinhole photography, foraging and paper-making. Naturally sourced water will form the solute for plant coffee-based photograph developers, whilst foraged plant matter will provide the basis for handmade paper pulp.
@claireepaul
www.clairepaul.com.au

Claire Paul, 'Soft Breeze', 2023, charcoal and ash screen-printed onto handmade paper (recycled artworks and foraged plant matter)

2024 Gunyah Artists Announcement

 



There was a record number of quality applications this year, thank you to all the artists who applied. And thanks also to our selection panel: Vanessa Berry, previous Gunyah artist-in-residence; and Kath Fries, Gunyah AIR director. 

 

Congratulations to the selected artists! 


 




Gunyah Artists-in-Residence 2024:


Lou Smith 

Bronwyn Rennex

Karlina Mitchell and Lee Mitchell


Claire Paul, Anna Seymour and Charli Rose Gerry


The Darkroom Social: Isobel Markus-Dunworth and Remi Siciliano

Obscura Deaf: Irene Holub, Sofya Gollan, Angie Goto and Riona Twomey Tindal






Follow @gunyahartists on Instagram to see posts from their residencies during the year.





Image credits from top:

Kath Fries, Sunrise view from Gunyah deck, 2023

Kath Fries, The old Gunyah house sign, 2020




Gunyah artists-in-residence program is located on Gathang Country, the ancestral lands of the Worimi people. We acknowledge them as the traditional custodians for this place, land, sky, and waters. When artists come to the Gunyah to develop and share their own creativity, learning, skills and cultural practices, we respect the knowledge embedded forever within the First Nations Custodianship of Country.

2024 Gunyah residency applications now open!

 

2024 Call Out Gunyah AiR applications! 
Background photo: Blake Lawrence, Gunyah residency 2022


I'm delighted to annouce that the owners of Gunyah are continuing the Gunyah Artists-in-Residence program, and applications are now open for 2024!

Since 2011, the Gunyah AiR program has been providing low cost accommodation for short term self-directed residencies for solo, collaborative, family and group projects. 

Applications are now open for visual artists, writers, curators, composers, musicians, performers, designers, arts administrators, new media artists and other creators, to apply for a residency at Gunyah in 2024. 

In 2024, each residency will run for ten days. There will be one per month from May to October.

Please read ABOUT GUNYAH before applying and see the APPLY page for more info about applying. 
Applications close 29 Feb 2024.

Residency report: Catriona Pollard

Catriona Pollard, Gunyah residency October 2023


I went to Gunyah looking for a creative space to start developing ideas for my next body of work. As soon as I walked into the house I felt the joy and creativity of that space. 

Catriona Pollard, Gunyah residency October 2023


 I hadn't planned on weaving anything as I was recovering from a sprained wrist, so I took paints and ink to just play. It was an ideal place for me as my art practice embraces the concept that nature is a part of us with meaning and spirit. And nature is essentially all there is at Gunyah.


Catriona Pollard, Gunyah residency October 2023

The forms I weave tell stories relating to emotions, concepts, energy and experiences. They are about truly seeing the extraordinary in everyday moments. For me, it’s about being still, and letting the beauty surface. I sat in contemplation on the verandah overlooking the tree tops and water glimpses and spent hours and hours on the jetty. Jumping into the water, tracing elements and just lying watching the water move and reflect the sun. 


Catriona Pollard, Gunyah residency October 2023 

Every day I walked through the bush trails and created ephemeral works and ended up finding Smilax vine by the side of the road. My rest and contemplation turned into weaving quite hard and complex forms, and gifting one as thanks to the nature and creativity of Gunyah.


Gunyah residency report, October 2023
Catriona Pollard