Applications for 2013 Gunyah artists-in-residence


Applications for the 2013 Gunyah artist-in-residence program are currently open. Applications close: 30 November 2012

The 2013 program will feature a one or two week residency each month, from March to October. Visual artists, writers, composers, performance artists, curators, new media, arts administrators and other creative types are welcome to apply.

Please read all the information "About Gunyah artist-in-residence program" www.gunyah.blogspot.com.au/p/about.html before applying. And please note that there is a residency fee of $220 per week (or part thereof) and that you'll need your own vehicle to access the North Arm Cove area.

To apply email Kath kathfries@gmail.com with:
  • Your contact details: name, phone, email, postal address; (select one contact person for collaborations and groups)
  • What you plan to do during your residency (max 200 words)
  • Bio and artist statement for each artist (max 200 words)
  • Url link for each artist (where possible)
  • Visual artists - attach up to 3 jpeg images of artworks per artist. Include an image list with artist name, title, date and materials for each work.
  • Other artists - attach a jpeg photo of yourself  
  • In order of preference list three possible dates between March and October 2013. Either with a start date and end date - start on a Monday and end on a Monday, or start on a Friday and end on a Friday. Or if you are flexible with dates please list three months in your order of preference.

All applicants will be notified in January 2013 regarding the success of their application. The selected artists' proposals and images will be posted on the Gunyah blog after the artists have been confirmed. 

Applications close: 30 November 2012


Please email Kath kathfries@gmail.com with any questions about your application.

Gunyah

Port Stephens Diary of Natural Events - November


An extract from Michael Smith's "Port Stephens Diary of Natural Events"

NOVEMBER

Most birds start to moult.
Black Faced Cuckoo Shrike are in abundance.
Crane flies emerge.
Baby Echidnas are 10 cm long and become too spiky for the pouch.
Dingo pups, aged 4 months, make their first outings into the outside world.
Whales are seen heading south.
Lacewings hatch.
Angophera costata sheds its bark.
Blueberry Ash starts flowering.
Prawns wait for rain to go to sea.
Trigger plants are now common.
Young magpies are being fed.
Wood-swallows nest after migrating south.
Blue Flax Lily has purple fruit.
Flying Duck Orchids abound.
Apple Berry and Lobelia gibbosa are in flower.
Sugar gliders leave the nest for the first time.
Antechinus babies ride their mother's back while she goes hunting.
Crimson Bottlebrush is in flower.
Broad Leaf Geebung fruit drops to the ground.
Scribbly Gum sheds it bark.
Flying Ants swarm on a hot day.
Stink bugs appear on Lemon Trees.
Galahs have their annual moult and their young become independent.
Red Jellyfish appear in the waters of Port Stephens.
Baby foxes are born.
Hungry Noisy Miner chicks chirp from the trees.
Red Ichneumon Wasps are common.
Quaking Grass grows its seed head.
Phascogale young are free to roam about.
Gulls moult their primary feathers
Eastern Rosella young are out of the nest and demanding to be fed.
Muttonbirds lay their eggs on Broughton Island.
This is a good time to collect seeds from the bush.
Grasshopper plagues begin.
Butcherbird young hatch.
Scribbly gums are in flower on Gan Gan Hill.
Antechinus babies are independent.
Wild Parsnip is in flower.

Michael Smith, 1999

Shuffle Shuffle, Gunyah 2012, 
Thomas Hungerford, Kate Brown, Anastasia Freeman, Michelle Genders, Robin Hungerford and Renee Oldfield

Caelli Jo Brooker and Andy Devine: artists-in-residence October 2012

Andy and I participated in the Gunyah artist-in-residence program in late October 2012, looking on it as an opportunity to share a creative resting place. We came to the residency with plans for using our time towards existing exhibitions, but once there we were inspired to use the Gunyah setting as a starting point for new work instead.

Caelli Jo Brooker, Gunyah studio diary, October 2012

We didn't have to go too far for subject matter... I found myself translating the shapes of boat hulls, rope, aerial views, landforms, strands of seaweed, and clustered organic objects as macro and microcosmic parallels were revealed between local lines and forms. Andy recorded the shapes, silhouettes and shadows of the landmasses viewed across the water, and we combined our interpretations in collaborative painted panels and drawings. Printing plates were made for combination and resolution in the print room at a later stage, and pages were made for an artists' book. Once we found ways to integrate our contrasting approaches, this collaborative process became a significant outcome of our studio time at Gunyah, and we hope to exhibit the resulting work in the near future.

Andy Devine, Gunyah studio diary, October 2012

Gunyah itself is a real treat nestled in the bush, with views through trees to the water and plenty of retro architectural charm. The location affords unique opportunities for both social and solitary time and Andy and I spent time exploring the waterfront individually before the weather suggested we move back inside to the shared studio space. Here, away from work and distraction, we spent most of our studio time making and un-making each other's work in to new configurations, as we arranged and rearranged and passed painted panels back and forth. When our families joined us on the weekend, Gunyah was perfect for sharing meals and conversation around the big dining table. We very much appreciated our opportunity at Gunyah - to escape, experiment and explore making work in such a wonderful location.
Caelli Jo Brooker, October 2012

Caelli Jo Brooker and Andy Devine, Gunyah collaborative works in progress, October 2012

Caelli Jo Brooker and Andy Devine first became friends when they shared a studio during their post-graduate fine art studies at the University of Newcastle. Since then they have worked together on many projects as gallery committee members, curators and exhibition participants. They planned to use their Gunyah residency to build on this, strengthening and maintaining their artistic connections, to collaborate on work and recreate their supportive studio atmosphere for generating ideas, discussion and critique. For more information on Caelli's practice please see www.caellijobrooker.com and for Andy's practice  see www.andydevine.com.au 
To read their Gunyah residence proposal please click on this link

Michelle Heldon: upcoming artist-in-residence

Michelle Heldon, Day by day project, 2011, Kemijarvi


 Michelle Heldon’s Gunyah residency will create a hypothetical parallel across time, space and climate linking her North Arm Cove experience to a residency she undertook last year, November 2011, in Kemijarvi, Finland. Her Kemijarvi residency explored a 'diary'  project created from day to day explorations out in the elements. Michelle and her artworks experienced winter’s form in the arctic circle in Lapland - a completely foreign landscape and culture for her. That project produced a series of site responsive drawings, paintings and short films. Michelle’s Gunyah residency will mirror her Kemijarvi project exactly a year later, on the other side of the world in the familiar landscape of Australia. She will be again exploring a specific area, climate and her response to it at this time of year. Michelle is hoping to form a relationship between the two projects and then let them meet one another in an exhibition next year. 

Michelle Heldon, Day by day project, 2011, Kemijarvi

 My art practice explores the poetics of space and memory through a focus on landscape and its elements. I work across installation, assemblage, painting, drawing and sculpture. When we are in the environment and we slow down, we experience the place around us, through not just what we see but also what we feel. I collect many things from my everyday journeys, whether it be through drawing, physically picking up objects, or memory. These collected moments or memories form a history and focus on the essence and heart of a place. My study pays particular attention to the web of interrelationships in our environment—to the physical, biological, cultural, and historical aspects of ecological systems. My works employ natural materials, or engage with environmental forces such as wind, water, or sunlight. My recent project in Nov 2011, Day to Day in Lapland, Finland was a project by which a ‘diary’ was formed by painting in the icy elements everyday. Letting the landscape seep into me and directly affect the works with its character and mood of that particular place and moment allowed the authenticity of the surroundings be captured. Recently I have been exploring the role of the ‘artist’ in facilitating a gateway or bridging between the elemental world and the ‘world’ that is presented to the viewer. I am seeking further practices to engage the public and community in an active and participatory way.
Michelle Heldon


Michelle Heldon, Day by day project, 2011, Kemijarvi

Michelle Heldon studied at the National Art School and Tom Bass Sculpture School. She has been a Finalist in the Waterhouse Natural History Prize 2010, awarded the 2008 Tom Bass Scholarship and the 2006 William Fletcher Trust Grant, and won the FONAS prize for Painting. Michelle has exhibited at Kemijarvi Artist residency gallery in Lapland, Gaffa Galleries in Sydney, g8 on george in the Rocks and Pine Street Creative Arts Centre in Chippendale. She is currently working at the Musuem of Contemporary Art Australia and studying art therapy. 

Surface Seeking: an exhibition featuring work by previous Gunyah artist-in-residence Alison Simith

Alison Smith is about to exhibit the woodblock prints that she began working on during her residency at Gunyah earlier this year, in Surface Seeking, a group exhibition at Lake Macquarie City Art Gallery.

The surfaces of artworks can be as compelling and impressive as the ideas behind them. Featuring the work of Hunter-based artists Debra Byrnes, Johnathan Hardy, Frank Murri and Alison Smith, this exhibition explores the processes artists use to create surfaces. Curated by Ahn Wells.

Surface Seeking: 26 Oct - 9 Dec 2012
Lake Macquarie City Art Gallery
First Street, Booragul, NSW 2284
www.artgallery.lakemac.com.au


Click on this link to find out more about Alison's practice, and to see Alison's works in progress while she was a Gunyah, go to www.gunyah.blogspot.com.au/2012/04

Port Stephens Diary of Natural Events - October


An extract from Michael Smith's "Port Stephens Diary of Natural Events"

OCTOBER

Melaleuca groveanas are in flower on Stephens Peak.
Sugar Gliders leave the pouch to spend a further month in the nest.
Fisheries inspectors decide when to open the prawn season, which will run from now until April.
Love Creeper and Black Wattle are in flower.
Fox cubs emerge from the den and begin hunting.
Mud Crabs and Blue Swimmer Crabs are mating.
Mistletoe berries are abundant.
October long week-end is the start of the trout fishing season.
Kookaburras tunnel into termite nests in trees for nesting hollows.
October to November is the peak mating time for koalas.
Kookaburras look for a mate.
Many birds move south to nest.
Bluebells are everywhere.
Sundews and Bladderworts are flowering.
The Southern Cross is low on the horizon in the evening.
Currawongs are nesting.
The first Trigger Plants begin to flower.
Red Beard Orchid is in flower.
Sawfly wasp larvae go to ground.
Flannel Flowers start to dominate the bush.
Exhausted Muttonbirds are washed up on our beaches.
Yellow Donkey Orchid and Coast Tea Tree come into flower.
Yellow and Black Hover Flies swarm in the shade on hot days.
Some of our local bats give birth, upside down.
Coast Myall comes into flower for a few weeks.
The best month of the year for bird-watching.
Flying foxes are looking for figs and Angopheras.
Snakes and skinks are active.
Cicadas emerge from underground and leave their pupa cases on tree trunks.
Angophera costata is in flower.
Female snakes leave a scent trail so that the males can find them.
Fairy Penguin fledgelings go to sea to hunt for themselves.
Skeletonizer moth larvae attack gum leaves.
Woody Pear in flower.
Peak time for viewing orchids.
Eastern Spinebill is active amongst the flowers.
The first flush of Spring is over.
Octopus and cuttlefish eggs wash up on the beaches.
Eastern Rosellas are hatching.
Scented Sun orchids start to flower.
Gulls leave their nesting islands.
Gymea Lily flowers fruit.
Acarandas are in flower.
Rainbow Bee-eaters arrive from the north.
Christmas Bush puts on cream flowers.
Bees swarm.
Baby Quolls are independent of their mother.
Onion orchids in bloom.
Wasps look for nest sites.
Yellowtail Kingfish and Snapper spawn.

Michael Smith, 1999


Robin Kinsela, Spouse relaxing at Gunyah, 2012

Contained: a solo exhibition by previous Gunyah artist-in-residence Keiko Matsui


Contained 
Keiko Matsui

14 October - 18 November 2012

Sturt Gallery Mittagong
www.sturt.nsw.edu.au

Keiko Matsui was born in Osaka, Japan, and immigrated to Australia in 1999. In 2006 she completed her Bachelor of Fine Arts (Honours) majoring in Ceramics at the National Art School, East Sydney. She has exhibited widely in Australia and overseas and been awarded several prizes including the Woollahra Small Sculpture Prize, the Fete Picasso Small Object prize in France, the 2012 Gosford Art Prize Ceramics Section, and she was also an exhibiting finalist in the John Fries Memorial Prize 2011. Recently Matsui received an ArtStart Grant from the Australian Council of the Arts. Her ceramics can be found at Object Gallery in Surry Hills, the S. H. Ervin Gallery on Observatory Hill, the Sturt Gallery in Mittagong, Craft Victoria in Melbourne and National Gallery shop in Canberra. 

My Japanese heritage, with its long history of and respect for ceramics, combined with the experience of living in Australia, an innovative new culture, are the major influences in my work. I focus on making forms that act as my canvas. I have been practising calligraphy and drawing since I was small and I now find joy in using Australian porcelain to give my lines form and shape. Porcelain can be difficult to work with but the invitation of its pure whiteness, translucency, density and surface qualities more than compensate for any problems. It is through clay that I express my emotions and through this ongoing journey of process; refining surface, texture and colour, is similar to a path of self-discovery. 

To see more of Keiko Matsui’s work go to www.keikomatsui.com.au
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