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| Karlina Mitchell, photograph. |
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| Lee Mitchell, zine. |
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| Karlina Mitchell, photograph. |
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| Lee Mitchell, zine. |
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| Bronwyn Rennex |
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| Bronwyn Rennex, Life with Birds, 2022 |
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| Bronwyn Rennex, No, No, No, 2004, cyanotype |
Gunyah residency report, August 2024
Obscuria Deaf Collective
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| Karlina Mitchell and Lee Mitchell |
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Karlina Mitchell, I thought of the people before me who had looked down at the river and gone to sleep beneath it, 2023, Photography/Collage |
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| Karlina Mitchell and Lee Mitchell, Moce, 2023, HIDDEN Rookwood Sculptures https://www.karlinamitchell.com/moce-for-hidden-rookwood |
The Darkroom Social: Isobel Markus-Dunworth and Remi Siciliano collecting botanicals near Gunyah
While at Gunyah we worked on making experimental solutions and recipes for local botanical photographic developers.
| The Darkroom Social: collecting seaweed by the Gunyah jetty |
We were lucky enough to split our residency time - spending one week in June where we collected local materials and made large drums of extractions. To collect these materials we spent time exploring around the North Arm Cove bush and coast, foraging for washed up seaweed, fallen bark and lantana weeds. We left these extractions brewing at Gunyah and returned for our second week in July, where we tested out these solutions and their viability as developers to process the black and white silver gelatin film we were shooting around the site.
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| The Darkroom Social: botanical extractions at Gunyah |
| The Darkroom Social: processing on the Gunyah jetty |
We had a lot of success with all of the botanicals we extracted at Gunyah, and the long extraction time for the seaweed and the bark seemed to be perfect. We have uploaded a few recipes and examples onto our website: https://www.thedarkroom.social/recipes
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| The Darkroom Social: film drying on the Gunyah deck |
The quiet surroundings, the nightly fires, and the morning sun on the balcony were all little luxuries that we enjoyed while working, talking and processing many rolls and test strips of film. Our time spent outside during the residency inspired us to refine our film processing workflow - we can now confidently say that we can process film in eco developers completely outdoors (from the shooting, to the loading and processing, to the scanning)!
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| The Darkroom Social: print drying on the Gunyah deck |
While most of our stay was spent collaborating, we also had a bit of time working individually on our own experiments and projects. Issi tested out a new underwater film camera in the water around the jetty and in the ocean, and Remi started growing fungus through some rolls of 35mm film that was shot around North Arm Cove.
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| The Darkroom Social: colour negative scan, Gunyah rocks |
It was a beautiful, productive time up at Gunyah and we feel very lucky to have had this generative time up there amongst the Kookaburras and Tawny Frogmouths. Thank you for having us Gunyah!

The Darkroom Social: Tawny Frogmouth, process caffenol delta hp5
Gunyah residency report, July 2024
The Darkroom Social
Isobel Markus-Dunworth and Remi Siciliano
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| Obscuria Deaf: Irene Holub, Sofya Gollan, Riona Tindal, and Angie Goto |
Obscuria Deaf are a collective of Deaf Women Artists: Irene Holub, Sofya Gollan, Riona Tindal, and Angie Goto. They are artists and advocates embarking on a historic journey with their first-ever collaborative residency.
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| Irene Holub, Invisible Skin, 2019, theatre production |
During their residency at Gunyah, they'll dive into the concept of hidden disability. Exploring behind the bright colours and movements of sign language, they'll endeavour to share their invisible struggles, while also drawing inspiration from the natural world and their surroundings. Through a rich tapestry of artistic expressions, they aim to offer new perspectives, encapsulating the essence of Obscuria Deaf in their art.
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| Angie Goto, Music in my eyes, 2022, acrylic on canvas |
Their residency will culminate in an exhibition spanning several states, promising to challenge perceptions and spark conversations. Obscuria Deaf aims to fuse creativity and advocacy to redefine the boundaries of art and disability.
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| Sofya Gollan, Threshold, 2023, short film still, photo credit Vincent Hawkins |
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| Riona Twomey, Water nature study, 2024, watercolour on paper |
While at Gunyah I worked on completing the manuscript of my poetry project Texas.
Texas is set in the shantytown ‘Texas’ which was a camp housing people during the Great Depression in Carrington, Muloobinba (Newcastle). It was a gift to have quiet, dedicated time to work on my manuscript, especially as the mum of two young children.
My routine changed to focus not only on refining my manuscript, but I also became more aware of the local environment – watching the boats go by and the pelicans skimming the surface of the water behind one fishing boat each day, observing when it was low tide and time to wade into the water’s chill for a quick swim, the sun reflecting off the water illuminating seaweed and rocks. The beauty of the sunrise and full moon rising and reflecting off the water…
It was lovely to be able to have my sister Karina accompany me on my residency. Having grown up in Muloobinba (Newcastle), it was also somewhat familiar having done day trips with our parents when we were kids to Karuah and Bulahdehlah, although strangely we had never been to North Arm Cove!
During our time at Gunyah, we visited a number of local areas including Karuah and the Karuah wetland walk; Myall Lakes National Park – in particular the rainforest walk at Mungo Brush and the very special Dark Point Aboriginal Place; Bulahdehlah Mountain where the carved trees are located; Tea Gardens; and Hawks Nest and the spectacular Bennetts Beach. We also drove to the small hamlet of Carrington located right near North Arm Cove which, not only shares the same name as the area of Newcastle I am writing about but was similarly instrumental in the colonial project – Carrington, Newcastle being where the Carrington Coal Terminal is located, and Carrington, Port Stephens the original site of the Australian Agricultural Company.
It was a pleasure meeting and chatting with people at Hero’s Beach, and the North Arm Cove Community Centre about their lives and the local area after walking through the bush to Coffee in the Cove. I even picked up some sweet mustard pickles! There was an abundance of wildlife at Gunyah and surrounding areas to see each day – dolphins, kookaburras, pelicans, butcher birds, wallabies in the garden, and dingoes at Myall Lakes National Park. I braved three winter swims while at Gunyah, which were chilly but delightful!